About the Book
The exhibition is organized by the National Gallery of Art, Washington; the Museum of Fine Arts, Boston; Tate Modern, London; and the Museum of Fine Arts, Houston--Copyright page.Book Synopsis
A sweeping retrospective of Philip Gustons influential work, from Depression-era muralist to abstract expressionist to tragicomic contemporary master
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Philip Guston--perhaps more than any other figure in recent memory--has given contemporary artists permission to break the rules and paint what, and how, they want. His winding career, embrace of high and low sources, and constant aesthetic reinvention defy easy categorization, and his 1968 figurative turn is by now one of modern arts most legendary conversion narratives. I was feeling split, schizophrenic. The war, what was happening in America, the brutality of the world. What kind of man am I, sitting at home, reading magazines, going into a frustrated fury about everything--and then going into my studio to adjust a red to a blue? And so Gustons sensitive abstractions gave way to large, cartoonlike canvases populated by lumpy, sometimes tortured figures and mysterious personal symbols in a palette of juicy pinks, acid greens, and cool blues. That Guston continued mining this vein for the rest of his life--despite initial bewilderment from his peers--reinforced his reputation as an artists artist and a model of integrity; since his death 50 years ago, he has become hugely influential as contemporary art has followed Guston into its own antic twists and turns. Published to accompany the first retrospective museum exhibition of Gustons career in over 15 years, Philip Guston Now includes a lead essay by Harry Cooper surveying Gustons life and work, and a definitive chronology reflecting many new discoveries. It also highlights the voices of artists of our day who have been inspired by the full range of his work: Tacita Dean, Peter Fischli, Trenton Doyle Hancock, William Kentridge, Glenn Ligon, David Reed, Dana Schutz, Amy Sillman, Art Spiegelman and Rirkrit Tiravanija. Thematic essays by co-curators Mark Godfrey, Alison de Lima Greene and Kate Nesin trace the influences, interests and evolution of this singular force in modern and contemporary art--including several perspectives on the 1960s and 70s, when Guston gradually abandoned abstraction, returning to the figure and to current history but with a personal voice, by turns comic and apocalyptic, that resonates today more than ever.Review Quotes
Highlights the regenerative quality of the master painters work...Whether mapping universal evil or the messy terrain of his own mind, he understood that an examination of society is always, even in small part, an examination of self.--Rosa Boshier González Brooklyn Rail
Guston became a witness to the 20th centurys darkest and foulest experiences without closing his eyes or turning away, and enabled us to see and reflect upon this brutality.--John Yau Hyperallergic
Isnt that what artists are supposed to be about, showing us the complexity of their encounter with the world, rather than offering platitudes or outrage?--Lyle Rexer Brooklyn Rail
Brings Guston himself to life, thrashingly, ferociously so.--Holland Cotter New York Times: Arts
A necessary resource for anyone interested in understanding Guston.... Whats untimely in Guston is his freedom from the urge, so common today, to seek reassurance of ones own goodness by accusing others of wrongdoing.--Barry Schwabsky The Nation
A sweeping retrospective of Philip Gustons influential work, from Depression-era muralist to abstract expressionist to tragicomic contemporary master. Philip Guston - perhaps more than any other figure in recent memory - has given contemporary artists permission to break the rules and paint what, and how, they want.-- Antiques and The Arts Weekly
[Glenn] Ligons text is a powerful exploration of Gustons Klansmen imagery, full of nuance, clear-eyed about the complexity and difficulty of addressing the subject.--Ben Luke Art Newspaper
A career-spanning retrospective that looks at Gustons legacy and influence, and includes commentary on individual paintings by William Kentridge, Amy Sillman, Tacita Dean and many others.--Michael Glover Hyperallergic
Philip Guston was a rule-breaking artist, who inspired so many painters as well cartoonists, writers, poets, and musicians, and this book brings together scores of terrific essays by artists and scholars, and a wide-ranging collection of full-color reproductions of his paintings and drawings.... Insightful.--Jake Marmer Tablet
Philip Guston is best known for his incisive, cartoonish paintings and drawings ranging in subject matter from everyday scenes to narrative political satires, particularly those of Richard Nixon. Gustons work received varying degrees of critical praise throughout his lifetime, shifting as he changed course.--Claire Selvin ARTnews
A beautifully illustrated catalogue with essays by the shows co-curators and reflections on his influential work by such contemporary artists as Trenton Doyle Hancock, William Kentridge, and Amy Sillman. Guston created work in a variety of styles and from psychological points of view that continue to impact an evolving art world today.--Paul Laster Art and Object
A satisfying compilation of the late painters best-known work, as well as some surprises. Assembled for his new traveling retrospective at the National Gallery of Art, this catalogue could function either as an introduction or a point of reentry, giving those with varying experiences with Gustons work a chance to deepen what they know.--Editors Cultured
Beautifully produced ... Philip Guston Now is a fitting and impressively informative survey and analysis of a remarkable artist, his life and his work.--Editors Midwest Book Review
Gustons enduring appeal rests in the permissions he offers artists. He encourages them to drastically change their work in midstream, to examine their personal relationship to evil, to embrace discredited styles and genres, and to accept and even revel in their own ambivalence about the meaning of art.--Editors Art In America
A rousing and reverential guide to understanding the evolution of a painter and why he deeply resonates with such an illustrious audience of artists and patrons today.--Evan Pricco Juxtapoz
Dimensions (Overall): 11.6 Inches (H) x 9.8 Inches (W) x 1.3 Inches (D)
Weight: 3.95 Pounds
Suggested Age: 22 Years and Up
Number of Pages: 280
Genre: Art
Sub-Genre: Collections, Catalogs, Exhibitions
Publisher: D.A.P./National Gallery of Art
Format: Hardcover
Language: English
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